
I’ve been playing with water soluble crayons and acrylic medium, which gets some fun, paint-like effects, different from using them with plain water.
I am choosing to occasionally take a day off – an option I didn’t allow myself for years when I started this project. Really, I am again trying to make more time to tackle bigger projects and finish up other ones. The collages are still out on my worktable; I am figuring out ways of framing them up to display at the Harmony Collective gallery in the next month or two.
Just so you can have a picture, here’s a little mockup that I thought might make a nice little t-shirt or something, with some cats I painted last year.

I am still struggling with adjusting to the clock change (don’t get me started ranting about how stupid the twice-annual imposed ritual is!). I went to a lovely pub sing, far out in the Massachusetts hilltowns after work this day, and had a sweet visit with some old friends who used to be closer neighbors before I moved to Vermont. I got back home at nearly 11:00 New Time, and rather than check in to the studio, decided to go straight to bed in hopes of readjusting my personal clock toward getting up earlier in the morning. It sort of worked, I’ll try again tonight.

Here’s a quick goofy one. The base picture was an arresting image of a fellow in mask and body paint. The feet belong to the nuns that were in day-before-yesterday’s post. The doily and sculpture were to bring the colorway together. Unlike yesterday, I did not then spend a lot of time adding little bits in hopes of making the whole thing more interesting. Part of my challenge is knowing when to quit.

I think I posted an earlier version of this one the day of the collage party. I think it’s done now. It will join my deck of cards that are on the theme of “ways I get stuck, and ways to get un-stuck” This one represents analysing a problem by taking it apart into smaller components.
here’s another one, that I posted the start of yesterday. It will also join the deck, representing something like the fierce power of family ties.


As is my custom, sometime in the month of February I turn my studio over to playing with collage. It starts with sharing the space and resources with a group of friends, and we spend a day playing together. For the past several years, we’ve handed around a group collage over the course of the day. Here’s what we came up with this year. The background is a discarded sketch by my friend Henry Thomas’ father George, who passed away last year. I was fortunate to be gifted a generous supply of his leftover art materials, and a few of his paintings and sketches. I’m not sure what he would have thought of this, but we certainly loved working with it as our ground surface!
As usual, I didn’t actually finish much on the day of the party, but here are the two little pieces that I actually got set up and glued down.



The theme of February’s Group Show at the gallery is “Hearts and Love”. I don’t know if I’ll be willing and able to stick with the theme for every daily this month, but it will be somewhere in the back of my mind in any case.
Meanwhile, I broke back into my acrylic paints and am enjoying the different kind of marks and effects I can make with them. Also remembering that they tend to take more time, and call for more revisiting than the ink and crayon sketches I did last month!

I mostly just wanted to evoke the sensation of a big space.
There often comes a point in a drawing where I don’t know what to do next, and don’t think it’s good enough to warrant more effort. At that point I have to actively decide that I don’t care. The next step is often a blind leap, trusting that some part of my visualizing self is paying attention, and the skills that I’ve acquired will be able to team up with it to pull something out of the jump.
Sometimes, that even works.